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Muffuletta (Distortion / Fuzz) In 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its almost half a century lifetime, the Big Muff Distortion/Fuzz has personally pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is our tribute to the legend and story of one of the greatest pedals ever invented. Let`s take a look at what makes the Muffuletta the ultimate recreation of this circuit in a way that has never been done before.<br><br>The heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favorite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do replicate rare, expensive, mythical and sought after versions of this circuit with ease.<br><br>Looking at the pedal, there are four controls: Volume, Tone, Sustain and Mode. The `Volume" control works just like any other volume control allowing you to adjust the overall output of the pedal to your taste. The `Tone` control lets you brighten or darken your overall tone. The `Sustain` control is best understood as a gain or distortion control as it gives more distortion to the circuit. The `Mode` control lets you choose from our six different versions of the Big Muff on the fly. Looking at the `Mode` control you will see six icons around the lower 50% of the knob. Let`s take a look at each mode and why they made the cut to be in the ultimate Big Muff tribute.<br><br>JHS - "2015" The JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful, less compressed with a more haunting mid range. It is also the best for bass guitar.<br><br>73 Rams Head - `1973-1977 V2` The 73 Rams Head gets its name for the strange little elfin looking face that appears on the lower right corner of the pedal. Over the years people nicknamed this unit based on the fact that is looks somewhat like a lamb or animal. It is best known for having a scooped mid range, less gain and being overall darker. Famous users include David Gilmour (main Pink Floyd recordings), Ernie Isley (Eisly Brothers), and J. Mascis (Dinosaur Jr.)<br><br>The Triangle - `1969-1970 V1` The Triangle Muff gets its name from the triangle arrangement of the knobs on the original unit. It is best known for having more low-end response and being more articulate. Famous users include Santana, David Gilmour`s Pete Cornish made pedal boards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.<br><br>The Pi - `1977-1978 V3` The Pi Muff gets its name from the instantly recognizable red Pi symbol on the top. This is not to be confused with the later redesigned NYC version released much later in 2000. It is best known for a more aggressive sound. Famous users include Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townsend (The Who).<br><br>The Russian - "1999-2009 V8` The Russian Muff gets its name from the `Made in Russia` text found on the back. It is best known for having less clarity and less low end. Famous users include Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).<br><br>The Civil War - `1991-1993 V7` The Civil War Muff gets its name from the old style Civil War era font found on the enclosure as well as the navy and grey colors found on many. It is best known for having more mid range, brighter overall tone and less gain. Famous users include Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills and Peter Buck (REM).<br><br>The Big Muff has an amazing history and has been used by some of the most influential guitarists ever. Never before has there been a single pedal that gives you all these different eras of it`s tone. We are convinced that the Muffuletta can fit in anyone`s rig who loves dirt, distortion and fuzz, and we think it will be hard for you to disagree once you plug it in and play.<br>With a pedal so stuffed with tasty tones you will have a hard time needing anything else to curb your appetite. JHS Pedals Muffuletta (Distortion / Fuzz)
$287.00
Origin50C All-Tube 50-Watt Amplifier Combo Innovate and craft your sound using this 50w combo. A Celestion Midnight 60 12` type speaker provides a classic all-valve, rich and harmonic Marshall tone. This amp has classic styling and contains contemporary features. A power reduction feature, PowerstemTM, perfectly matches your tone whether performing on stage or practicing in the studio. With a 2-way footswitch available you can control the gain boost and turn the FX loop on and off.<br><br>General<br>-Model: Origin50C<br>-Range: Origin<br>-Technology: Valve<br>-Channels: 1<br><br>Electronics<br>-Output wattage: 50w<br>-Outputs: Speaker outputs: 3 x 1/4" jack sockets (16ohm load / 8ohm load), DI out (1/4" jack)<br>-Inputs: 1 x 1/4" jack instrument input, footswitch<br>-Controls: Gain, gain boost, tilt, bass, middle, treble, master, presence, power scaling<br>-Effects: None<br>-Effects loop: Yes, Send/Return<br><br>Speakers<br>-Speaker configuration: 1x12"<br>-Speaker model: Celestion G12N-60 Midnight 60 (16ohm, 60W)<br>-Unit impedance: 16ohm<br><br>Valves<br>-Pre amp valves: 3 x ECC83<br>-Power amp valves: 2 x EL34<br><br>Accessories<br>-Footswitch: PEDL-90016 included<br>-Cable: Detachable power cable included<br><br>Dimensions<br>-Weight (kg): 18.2<br>-Width (mm): 580<br>-Height (mm): 480<br>-Depth (mm): 245<br> Marshall Origin50C All-Tube 50-Watt Amplifier Combo
$999.99
2525C Mini Jubilee All-Tube Amplifier Combo From sparkling cleans to the heavy grit of distortion the 2525CTM brings you the classic tones of 1987 in a portable style. The 25w 1x12` combo has one Celestion G12 M25 speaker that is not to be underestimated. With two footswitchable channels and the ability to add extra distortion the 2525C delivers the same grunt and crunch that you see in the Silver Jubilee series.<br><br>Suitable for small venues, in the studio and rehearsing. This can be taken one step further and using the power reduction feature from 20w to 5w you can still play in your bedroom.<br><br>You can switch with ease between two channels, anything from a clean, shimmering tone to a dirty, overdrive allowing you to mix between classic rock and metal tones.<br><br>Dial in extra grit and distortion to your sound by using the pull rhythm clip.<br><br><br>2525C Mini Jubilee<br><br>From sparkling cleans to the heavy grit of distortion the 2525CTM brings you the classic tones of 1987 in a portable style. The 25w 1x12` combo has one Celestion G12 M25 speaker that is not to be underestimated. With two footswitchable channels and the ability to add extra distortion the 2525C delivers the same grunt and crunch that you see in the Silver Jubilee series.<br><br>Previous<br>Next<br>Key Features<br>Practice, perform.<br><br>Suitable for small venues, in the studio and rehearsing. This can be taken one step further and using the power reduction feature from 20w to 5w you can still play in your bedroom.<br>Expression of aggression<br><br>Dial in extra grit and distortion to your sound by using the pull rhythm clip.<br>Mix your sound<br><br>You can switch with ease between two channels, anything from a clean, shimmering tone to a dirty, overdrive allowing you to mix between classic rock and metal tones.<br><br>Technical Specifications<br>-Model: 2525C<br>-Range: Mini Jubilee<br>-Technology: Valve<br>-Channels: 2 (Split)<br><br>Electronics<br>-Output wattage: 20w (with power reduction option, 5W)<br><br>Outputs<br>-Speaker outputs: 5 x 1/4" jack sockets (16 ohm load / 8 ohm load / 4 ohm load), DI (1/4" instrument jack)<br><br>-Inputs: 1 x 1/4" instrument input jack, footswitch<br>-Controls: Input gain, lead master volume, output master volume, treble, middle, bass, presence<br>-Effects: None<br>-Effects loop: Yes, Send/Return<br><br>Speakers<br>-Speaker configuration: 1x12"<br>-Speaker model: Celestion G12M-25 (16 ohm, 25w)<br>-Unit impedance: 16 ohm<br><br>Valves<br>-Preamp valves: 2 x ECC83, 1 x ECC83<br>-Power amp valves: 2 x EL34<br><br>Accessories<br>-Footswitch: PEDL-90003 included<br>-Cable: Detachable power cable included<br><br>Dimensions (including feet and handle)<br>-Weight: 19 kg / 42 lbs<br>-Width: 490 mm / 19.3"<br>-Height: 475 mm / 18.7"<br>-Depth: 280 mm / 11"<br> Marshall 2525C Mini Jubilee All-Tube Amplifier Combo
$1749.00
Mirror Image Delay Pedal There`s no denying the power of a good delay, ranging from subtle to smashing, this ambient effect is one of the cornerstones of modern music. The Mirror Image Delay brings this atmospheric effect to your rig, giving you the ability to create depth with a simple slapback or develop an epic soundscape with modulated repeats. Digital, Analog, and Tape mode-each with two voicing variations-make this expressive and inspiring pedal indispensable. It even has the option to add a dotted-eighth note for those Irish-inspired washes of sound. The delay tails continue when the pedal is bypassed, ensuring a natural sound.<br><br>Designed by our in-house team of experts, the Mirror Image Delay is an all-original circuit. We consulted with a plethora of players while designing this pedal, and the resulting stompbox is packed with stage-ready features. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The LED-backlit knobs show your control settings on a dark stage at a glance. We even made swapping batteries quicker and easier with our exclusive `patent applied for`, magnetically latched 9V battery door.<br><br>Expressive and inspiring, the Mirror Image Delay is the latest offering from the company that defined legendary tone-Fender.<br><br> Fender Mirror Image Delay Pedal
$199.99
WHE212 Overrated Special OD - designed just for Joe Bonamassa The Doubleland Special Overdrive takes the bold and punchy Overrated Special OD-designed just for Joe Bonamassa-and doubles it up in a single housing with the option to run them Series mode for overdrive-into-overdrive magic.<br><br>The Long Story.<br>The Doubleland Special Overdrive takes the bold and punchy Overrated Special OD-designed just for Joe Bonamassa-and doubles it up in a single housing. Joe uses one side for humbuckers and the other side for single coils.<br><br>If you`re feeling particularly frisky, you can run both channels at the same time in Series mode by flipping the Series switch. The controls for each side work just like they do on the Overrated Special OD. The 500Hz control lets you punch up the low mids for tasty, groovy licks, with the Volume control setting pedal output, the Tone control shaping its sound, and the Drive control setting the overdrive intensity. The right-side circuit has sliders for the Volume, 500Hz, and Drive controls so that Joe can set them and forget them and focus on the Tone control, which he adjusts during sets.<br><br>The Doubleland Special Overdrive is limited to 1,000 units worldwide, serial numbered and signed by Joe himself, and it comes with a custom Pick Tin featuring 25th Anniversary Way Huge Picks and Joe`s custom silver Jazz III Picks.<br><br> Way Huge WHE212 Overrated Special OD - designed just for Joe Bonamassa
$429.99
FSR Made in Japan Traditional Stratocaster XII in 3-Color Sunburst With its jangly sound and classic contours, the Fender Made in Japan Stratocaster XII pays homage to the revered original 1965 Fender Electric XII. Featuring Stratocaster standard single-coil pickups, a rosewood fingerboard, vintage-style tuners and a 12-string hardtail bridge, the limited-edition Fender Stratocaster XII has Fender tone and style to spare.<br><br>Product Specs<br>-Series: Made in Japan Traditional<br>-Body: Basswood<br>-Body Finish: Gloss Polyester<br>-Body Shape: Stratocaster®<br>-Neck Material: Maple<br>-Neck Finish: Gloss Polyester<br>-Neck Shape: "U" Shape<br>-Scale Length: 25.5" (648 mm)<br>-Fingerboard: Rosewood<br>-Fingerboard Radius: 7.25" (184.1 mm)<br>-Number of Frets: 21<br>-Frets Size: Vintage<br>-String Nut: Synthetic Bone<br>-Nut Width: 1.650" (42 mm)<br>-Position Inlays: Aged White Dot<br>-Truss Rods: Vintage-Style Heel Adjust<br>-Bridge Pickup: Single-Coil Strat®<br>-Middle Pickup: Single-Coil Strat®<br>-Neck Pickup: Single-Coil Strat®<br>-Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)<br>-Pickup Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup<br>-Pickup Configuration: SSS<br>-Bridge: 12-Saddle Adjustable<br>-Hardware Finish: Nickel/Chrome<br>-Tuning Machines: Vintage Style<br>-Pickguard: 3-Ply Eggshell<br>-Control Knobs: Vintage White Plastic<br>-Strings: Fender® USA 250L, NPS (.009-.042 Gauges)<br> Fender FSR Made in Japan Traditional Stratocaster XII in 3-Color Sunburst
$1169.99
NOTE: All pricing will be confirmed once you submit your order.


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